Proof, not claims
People who give want to see that it's real: the face of the person who was helped, not a stock photo. I film what is there — no archive footage, no AI imagery, nothing staged.
Documentary for NGOs
Documentary film for humanitarian organisations, non-profits and development projects — shot on location, told honestly, built for donors, funders and members.
Why documentary, not corporate film
People who give want to see that it's real: the face of the person who was helped, not a stock photo. I film what is there — no archive footage, no AI imagery, nothing staged.
Small setup, unobtrusive, fast. In sensitive situations trust matters more than gear — and trust doesn't come with five people behind the camera.
Every film is cut for its job: fundraising campaign, annual report, member assembly, social media. Landscape and vertical, subtitled, multilingual on request.
Formats
One project from starting point to impact. For your website, annual report, funding applications and presentations.
One story, one clear call to action. Native 9:16 and 16:9, subtitled — ready for Instagram, YouTube and newsletters.
One person, one story: volunteers, beneficiaries, teams. The format people remember longest.
Accompanying a mission or project on site — video and photo, raw footage handover included. Available for extended stays abroad.
Process
What should the film achieve, and with whom? Who can be shown, who can't? Consent, safeguarding and do-no-harm are settled before the camera comes out.
Listen first, film second. I get to know the people and the project — the best scenes are never in the shot list.
One to several days, one person, light kit. Interviews at eye level, everyday life instead of staging.
Rough cut for feedback, then fine cut, colour, sound, subtitles. Protagonists see their scenes before anything is published.
Every format the campaign needs — plus the raw footage for your archive. Impact figures after launch on request.
Rates
In exchange for reference, credit and making-of rights. An organisation without a communications budget should still get a good film.
Shooting at a day rate, post-production as a flat fee by scope. Travel at cost. Fixed price before the shoot, no surprises.
Day rates plus travel, accommodation and insurance. Multi-week stays possible — briefing and communication in English or German.
FAQ
Usually, yes. Grassroots groups without a communications budget get reduced rates — in return I use the film as a reference. Just get in touch.
Nobody is filmed who hasn't explicitly agreed — written consent, from guardians in the case of minors. Protagonists see their scenes before publication. If a situation shouldn't be shown, it isn't.
Yes. One person, light kit, field-ready setup. Briefing and communication in English or German, subtitles in other languages on request.
You do. Full usage rights to the finished film and, on request, the raw footage for your archive — unlimited in time, for every channel.
Next step
Tell me what you are planning and whom you want to reach. Within 24 hours you'll get an honest assessment — including when a film isn't the right tool right now.